Azad Kaysadu
A life assembled across borders
Born on March 25, 2001, in Elazığ, Turkey, Azad Kaysadu's early schooling was interrupted by a move to Wolfsburg, Germany, and complicated further on his return. In 2019 he moved to Istanbul for literature and Justice studies, then to Gaziantep, where most of his music was composed. After the 2023 Maraş earthquake he returned briefly to Elazığ before turning fully toward academic life.
In 2024 he was admitted to the Department of Psychology at the University of Oxford. Since 2025 he has continued that inquiry — now in philosophy — at the University of Vienna. A polyglot, he works across Kurdish, Zazaki, Turkish, English, German and more.
- DisciplineLiterature, Music, Film
- LanguagesSeven, incl. Kurdish & Zazaki
- RecognitionLiterature Locals Award — "Clove Apple"
The page as a site of reckoning
From early urban alienation to a mature, deconstructive psychology of the self — a bibliography that moves inward.
- Çayê Kalhomî (2026) — poem, Kurdish/Zazaki — Vîn, Issue 1
- Xêzê Sînoran û Ontolojîya Nasnameyî (2026) — essay, Kurdish/Zazaki — Vîn, Issue 2
- Translation: Shakespeare, Sonnet 66, into Kirmancki (Zazaki) — Vîn, Issue 2
The poet and the rifle
Every lyric is drawn from his own poems; most of the composition and performance is his alone, though he has occasionally worked with other musicians on specific arrangements.
13 songs across five languages — a dark revolt against a corrupt system and against existence itself, weighing a claustrophobic helplessness that runs from birth to the grave.
9 songs, mostly in Zazaki, across four languages — a severe manifesto against social tragedy and political decay.
DoomsMoon
SingleAn operatic composition fused with dengbêj — the Kurdish tradition of sung oral storytelling. An apocalyptic uprising announcing the fall of a kingdom built on consumption and lies. Kaysadu calls it his masterpiece.
Refusing to let his work be reduced to market consumption, Kaysadu voluntarily withdrew his entire catalog — 29 tracks — from every streaming platform.
The visiting room
A parallel body of work in independent film.
Üzüm
Short — 2022Screenwriter and assistant director. A short film rendered in regional cultural texture.
Visitation Day / Görüş Günü
Short — 2024Writer and director. A prison visit becomes a metaphor for freedom, captivity, and the relativity of time.
Behind the lens
Set stills, literary portraits, studio sessions.
Coming soon.
Notes, essays, fragments
Shorter pieces that don't belong to a book.
Coming soon.
Get in touch
For collaborations, translations, press, or anything else.